JAZZ BASSIST – HADRIEN FERAUD
Published on Apr 13, 2018
Bassist Hadrien Feraud plays “Friday Night At the Cadillac Club” by Bob Berg with the gang, using his Mayones Jabba Signature Bass.
More about this instrument: Our review: youtu.be/r_u21GiMsgI Website: mayones.com/page/jabba-hadrien…
bass: Hadrien Feraud
drums: Chaun D. Horton
grand piano: Ruslan Sirota
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Shazam! Dig it, man, dig it!
Jaco Pastorius-“The Chicken”
Published on May 20, 2009
Jaco with the slimmed-down version of his big band live in Montreal.
O. Molineaux-steel pans,
Love Jaco so. He is to the bass what Hendrix was to the guitar… RIP, Sir.
Peter Green – The End of the Game ( Full Album ) 1970
Published on Jan 6, 2016
Peter Green – The End of the Game ( Full Album ) 1970
All tracks composed by Peter Green
01 “Bottoms Up” – 9:05
02 “Timeless Time” – 2:37
03 “Descending Scale” – 8:17
04 “Burnt Foot” – 5:16
05 “Hidden Depth” – 4:54
06 “The End of the Game” – 5:08
Peter Green – guitar
Zoot Money – piano
Nick Buck – keyboards
Alex Dmochowski – bass guitar
Godfrey Maclean – drums, percussion
I do not own anything all rights reserved to Peter Green , this video is for entertainment purposes only, i own nothing !
Superb and delightfully different.
Peter Green – Hiding in Shadows
Published on Apr 16, 2011
Peter Green’s Splinter Group
Stupendously smooth sweet Jazz Blues fusion !
Weather Report – Birdland
Published on Nov 28, 2007
Live Concert, Offenbach, Germany, Sept. 29, 1978
Ooohh Lordy, this song — as I’ve frequently mentioned — it gets me. I cannot pass it by. I cannot not post it.
Jaco — is a God. The Jimi Hendrix of Bass.
David Grisman Quintet – 10.23.77 – Santa Cruz, CA
Published on Apr 9, 2014
01 Opus 12 00:00
02 Japan 03:20
03 Dawg Patch 06:58
04 Pneumonia 10:54
05 Cedar Hill 17:57
06 Swing 51 22:01
07 Band Introductions 27:14
08 Minor Swing 29:48
09 Barkley’s Bug 33:52
10 Spain 37:09
11 Blue Midnight 44:22
12 Move 48:03
13 Thailand 52:34
14 Dawg’s Bull 01:05:05
15 Limehouse Blues 01:08:07
Oh the diversity! Oh the talent! Oh the Joy!
David Grisman -Acousticity (Full Album)
Published on Oct 24, 2016
David Grisman Acousticity album 1985
1) Acousticity 0:00
2) Dancin’ 3:58
3) Brazillian Breeze 8:20
4) Blue Sky Bop 12:50
5) Dawgalypso 17:40
6) Tango For Django 21:35
7) Ricochet 24:42
8) New Monia 27:03
9) Pamela 33:30
The Quartet – David Grisman, Rob Wasserman, Jim Buchanan, Jon Sholle, Hal Blaine
Simply delicious! Dawg is just so good and this quartet is fantastic.
The Chicken (Studio Version)
Published on Nov 5, 2012
“Soul Intro/The Chicken” by Jaco Pastorius Got this off the album “Ultimate Jaco Pastorius”
Jaco! OMG, Jaco is bass. Bass is Jaco. Hero!
Maynard Ferguson – Birdland
Published on Jul 31, 2008
Walter Maynard Ferguson, best know for his extreme high register control on trumpet, was a Canadian jazz trumpet player and bandleader. Born in Verdun, Quebec (now part of Montreal) Maynard by the age of four was playing piano and violin but at 9 years of age he switched to cornet. At age thirteen, Maynard first soloed as a child prodigy with the Canadian Broadcasting Corporation Orchestra and was heard frequently on the CBC, notably featured on a “Serenade for Trumpet in Jazz” written for him by Morris Davis. Maynard won a scholarship to the French Conservatory of Music where he studied from 1943 through 1948 with Bernard Baker. Maynard dropped out of Montreal High School at age 15 to more actively pursue a music career, performing in dance bands led by Stan Wood, Roland David, and Johnny Holmes. During this period, Maynard came to the attention of numerous American bandleaders and began receiving offers to come to the United States. Maynard moved to the United States in 1949 and initially played with the bands of Boyd Raeburn, Jimmy Dorsey, and Charlie Barnet. The Barnet band was notable for a trumpet section that also included Doc Severinsen, Ray Wetzel, Johnny Howell, and Rolf Erickson. When Barnet temporarily retired in 1949 and disbanded his orchestra, Maynard was free to accept an offer to join Stan Kenton’s newly formed Innovations Orchestra, a 40-piece jazz concert orchestra with strings. While the Innovations Orchestra was not commercially successful, it made a number of remarkable recordings, including “Maynard Ferguson,” one of a series of pieces named after featured soloists. When Kenton returned to a more practical 19-piece jazz band, Maynard continued with him. So popular was Maynard with Kenton that for three years running, 1950, 1951, and 1952, he won the Down Beat Readers’ Poll as best trumpeter. In 1953, Maynard left Kenton to become a first-call session player for Paramount Pictures. Ferguson appeared on 46 soundtracks including The Ten Commandments. Ferguson still recorded jazz during this period, but his Paramount contract prevented him from playing jazz clubs. While he enjoyed the regular paycheck, Ferguson was very unhappy with the lack of live performance opportunities and left Paramount in 1956. In 1956, Maynard was tapped to lead the Birdland Dream Band, a 14-piece big band formed by Morris Levy as an “all-star” lineup to play at Levy’s Birdland jazz club in New York City. While the name “Birdland Dream Band” was short-lived and is represented by only two albums, this band became the core of Maynard’s performing band for the next nine years. Following the path taken by many jazz artists in the 1960s, Ferguson left the United States. Feeling that he needed a period of spiritual exploration. Maynard formed a new band and it made its North American debut in 1971. Maynard latched on to the burgeoning jazz education movement by recruiting talented musicians from colleges with jazz programs and targeting young audiences with performances and master classes in high schools. This practical and strategic move helped him develop a strong following that would sustain him for the remainder of his career. In 1988, Maynard formed the group Big Bop Nouveau, a nine-piece band featuring three trumpets, one trombone, two reeds and a three-piece rhythm section. The band’s repertoire included original jazz compositions and modern arrangements of jazz standards, with occasional pieces from his ’70s book and the Birdland Dream Band; this format proved to be successful with audiences and critics. In 1992, he was inducted into the Down Beat Jazz Hall of Fame. Just days after completing a weeklong run at New York’s Blue Note and recording a studio album in New Jersey, Maynard developed an abdominal infection that resulted in kidney and liver failure. Ferguson died on the evening of August 23, 2006 at the Community Memorial Hospital in Ventura, California.
Maynard gives Birdland a whirl… and it is good. Of course! My cuz played bass with Maynard for a good while.
Weather Report – Birdland
This also, is a vitally vital desert island song, ya dig? Featuring the incomparable Jaco Pastorius.
Dave Brubeck – Take Five
Published on Jun 2, 2008
Dave Brubeck – Take Five
A favorite among the favorites in my favorites pile. This song gets me deep down inside.
Oh God I love this.
smooth R&B 7 8 Bb – N Zaganin – Boss Blues Driver Waza – DD7 – RV5
Published on Jun 11, 2018
smooth R&B 7 8 Bb Coffee Break Grooves.com
Mauro Samuel – Blue Bossa II Gibson ES-339
Published on Sep 1, 2014
Mauro never fails to satisfy. Smooth moves always.
This has always been and will always be one of my top five songs of all time!
And in 63 years, I have heard a lot of songs.
C Dorian Mauro Samuel
Published on Apr 7, 2018
Coffee Break Grooves Acid Jazz 1-7
Boss DS-1W Waza
Marshall Class 5
N Zaganin Strat
Go Mauro! Sweet and smooth… really nice tone.
Simpatico with my bio.
Still very into gear I see, well, more power to ya, if you make sounds like this!
Rock on, amigo.
Caldonia / Louis Jordan
Published on Aug 28, 2008
It is classic that became a source of rock ‘n’ roll. Also covers Bill Haley in 1959.
I love this song. And this artist.
it has a very special meaning for me…
I post it here on on Christmas Eve because it is my Mom’s favorite song, God rest her loving Soul.
I love you, Mommy.
John Abercrombie – Timeless
Published on Oct 12, 2017
John Abercrombie – guitar
Jan Hammer – organ, synthesizer, piano
Jack DeJohnette – drums
CD + 180g Vinyl: http://bit.ly/2ydJHqa
John Abercrombie’s ECM debut ‘Timeless’ (recorded 1974) has proven to be exactly that. This fiery session with Jack DeJohnette and Jan Hammer still sounds as fresh as the year it was released. “Timeless comes as a major surprise in terms of its depth, scope and inventiveness,” wrote Tim Buckley’s guitarist Lee Underwood in the L.A. Free Press. “[It] indicates that John Abercrombie is a major musical voice of tomorrow.”
Photo: Roberto Masotti
This wonderful man was cousin Rick’s roommate in college and I am therefore quite sure that a heckuva lot of sweet, sweet music filled the air over there. I was saddened to learn that the lad has passed and some time ago, too. But his music is immortal, a gift to us all for all time.
Man, I very often hate being a g. d. hermit. I am trying to be better, with limited success, but learning of this reality made me sad.
Well, the title says it… sigh… enjoy, folks.
Jazz Funk – New York Mary – Zoo Mouth
Published on Sep 8, 2017
New York Mary – Zoo Mouth (Arista Records) 1976 www.facebook.com/groups/boogieland
From the second album, A Piece of the Apple, released in 1976… track number 4.
- Bruce Johnstone: Baritone Sax, Alto Sax, Flute
- Rick Petrone: Electric Bass, Phaser Bass
- Joe Corsello: Drums and Percussion
- Ron Friedman: Trumpet, Electric Trumpet, Flugelhorn
- Robert Aries: Electric Piano, Synthesizer
After touring the world with Maynard, Rick got together with some buds to form the group New York Mary, pioneering the way in and for the just-invented niche of jazz-fusion and hoo doggy did they do it well!
Sadly, the big wigs at the record label are the ultimate authority on who lives and dies musically and I guess my heroes didn’t sell enough platters for their liking, so they cut the boys off after just two albums.
I mean, really.
Money. It’s all only about tje money. I hate the stuff, personally. It causes pain. In the world our species has created one absolutely needs it, but I hate it nonetheless.
La Fiesta – Maynard Ferguson
Published on Mar 17, 2017
from a live performance in Orange County, California — circa 1974
Been talking to Rick a lot lately as he has very kindly taken the reigns, (along with his awesome daughter Jamie Petrone*), of the service and obituary part of Aunt Clare’s proceedings. This is a more profound thing than you might be thinking because my mind was knocked off the rails so far that the angels are still using cranes and such to upright it. I want to get it in today because tomorrow is hip surgery day for Rick. Good Lord, it never ends for any of us, does it?
I have not experienced something that compares in power to this. I am still far from normal and have a really difficult time being alone. And I do mean difficult. Fortunately and thankfully there are multiple angels that have been keeping me afloat. Rick and Jamie are among them. They know not just exactly how deeply I love them.
Here’s a bit more on Rick… the man has had some fabulous experiences… and the beat goes on!
From Rick Petrone Interview – December 2005
Rick Petrone played bass during what is considered by some to be Maynard’s most popular and creative period…the early and mid 1970s. Those that saw Rick play as part of Maynard’s band in concert undoubtedly remember his extended solo on La Fiesta. Since leaving Maynard’s band, Rick has had a successful and creative career. With the current release of Maynard’s “At The Top” DVD (which features Rick) as well as a new CD featuring Rick (see below for details), it seemed like a good time to talk to Rick and catch up.
- Let’s start with your musical background. Can you tell us about your musical education?I began as a violinist (horrible) moved to acoustic bass at 10, started playing gigs at 11 (no lie). Did the usual H.S. things in music. I was basically self taught until I went to Berklee 1964-69 and roomed with guitarist John Abercrombie, who was a friend from my hometown in Greenwich, CT. There I was one of 5 bass players (over 100 these days). I also met Lin Biviano and played in his Maynard band at Berklee. This band met every Saturday and little did I know where it would lead.
In 1968 I was fortunate to study and play with trombonist Phil Wilson who recommended me for Buddy Rich’s band. The band needed a fill-in for a few months while bassist Bob Magnusson dealt with some Viet Nam war problems. I stayed on for about 6 months and had blast. Buddy and I actually became friends and I saw him many times when I was on the MF band and we played on the same bill. I went back to school, graduated with a BA in Music and went on the road with the Glenn Miller band & then the Tommy Dorsey Band, both ghost bands by that time of course in 1969.
I had also gone to Berklee with old friend Joe Corsello from Stamford, CT. He recommended me to Marian Mac Partland and I joined and stayed with her for 1970 & early ’71. With her I got to play with Chuck Mangione, Sarah Vaughan, Jackie & Roy, drummer Mickey Roker, pianist Duke Jordan and Ralph Towner (when they filled in for her).
- Who were your musical influences?
Read the rest!
Love man, just love.