Hailey Knox – Sugah Daddy & Lust (D’Angelo & Kendrick Lamar Cover)
Premiered 6 hours ago
My dear friend Frank Petrilli just turned me on to this wonderfully talented girl!
And Madonne am I glad he did! Woohooo is she fine! Damn!
Hailey Knox – “Off The Rails” Mash-Up (Crazy Train / Crazy In Love / Black Beatles / Fancy)
Published on Jun 12, 2017
“Off The Rails” Mash-Up featuring Ashlee Juno (Crazy Train / Crazy In Love / Black Beatles / Fancy) RUNAWAY! Out now! Stream here: haileyknox.ffm.to/runaway Follow Hailey: Facebook: www.facebook.com/haileyknoxmusic Twitter: twitter.com/haileyknoxmusic Instagram: instagram.com/haileyknoxmusic Spotify: smarturl.it/SpotifyHK
Hailey Knox – Traumatized – 4/24/2018 – Paste Studios – New York, NY
Published on Apr 25, 2018
Hailey Knox – Don’t Got One | Sofar NYC
Published on Jun 10, 2018
Hailey Knox performing “Don’t Got One” at Sofar NYC on April 6th, 2018.
Artist: Hailey Knox
Filmed by: Jacob Gonzalez, Laurisha Cotton
Edited by: Jacob Gonzalez
Audio by: Alex Pyle
This event was hosted by: Hub Seventeen at Lululemon
Note to my dear Blues Forteana readers, expect a lot more Knox in your box!
This, folks, is an exceptionally exciting image.
It was captured by my friend, full-time cryptozoologist Katy Elizabeth, on the sonar unit in her research vessel “Kelpie.”
That shape is undeniably suggestive of an aquatic animal. It’s rather sizeable, as well. It is, after all is said and done, a mighty fine shape to these old eyes.
I am sure there will be more of these. It is terribly unfortunate for our collective, vision-based minds that the waters of Lake Champlain are murky with dense plant life, as it makes photography a serious challenge.
I am digging the apparent resolution on her sonar gizmo, though. It is mighty good.
Visit Champ Search, eh.
The photography issue is a cultural “big one,” for some, but it’s just going to have to be … we shall proceed like modern astronomers … who use wacky wavelengths, occultations and spectrometrics to capture their prey … hey, man, we can watch our prey up close in real time, eh, what! Ha! Haha!
Texas Gladden: Whole Heap of Little Horses (1959)
Alan Lomax Archive
Published on Aug 26, 2019
Texas Gladden sings a lullaby to her granddaughter. Recorded by Alan Lomax with Shirley Collins at Salem, Virginia, August 26, 1959.
Awww, this is adorable…
Bottom of the River- Delta Rae (Smule Cover)
Published on Feb 23, 2018
Me solo singing “Bottom of The River”’by Delta Rae on Smule
What a voice! Wooee!
Ms. Dames has the voice of an angel.
I am so glad I found her.
“Crow Jane” Samantha Fish Band live on Blues Radio InternationalTV, Funky Biscuit, April 11, 2019
Blues Radio International
Published on Jul 3, 2019
The Samantha Fish Band live on Blues Radio InternationalTV at the Funky Biscuit, with “Crow Jane.”
Samantha Fish – Guitar / Vocals
Scotty Graves – Drums
Chris Alexander – Bass, Vocals
Chris Spies – Sax, Flute, Percussion
Harry Morter – Trumpet
Phil Breen – Keyboards
Recorded April 10, 2019
Sound by Ray Durso
Videography and multi camera mix by Michael Wolf
Blues Radio International broadcasts live music and interviews to listeners around the world via shortwave radio, the internet, and social media. Listen to and watch our worldwide live blues broadcasts: www.bluesradiointernational.net soundcloud.com/BluesRadioInte…
Blues Radio International Worldwide Shortwave Broadcasts: Sunday 9pm EDT/Monday 0100 GMT Thursday 9:30pm EDT/Friday 0130 GMT – 9955 kHz worldwide shortwave simultaneous stream: www.wrmi.net
Photograph by Jay Skolnick, photographer of record for Blues Radio International
Sammi and the Big Band !
Elaine Morgan says we evolved from aquatic apes
Published on Jul 31, 2009
Elaine Morgan is a tenacious proponent of the aquatic ape hypothesis: the idea that humans evolved from primate ancestors who dwelt in watery habitats. Hear her spirited defense of the idea — and her theory on why mainstream science doesn’t take it seriously.
OMG I’m in love with this lady!
I, too, am a supporter of the aquatic apes in our history, you see.
Furthermore, I support the existence of an aquatic species who split off and started when we did. This species is still around today. Possibly having something to do with the ubiquitous USOs.
Dig it. They’re out there!
Mean Mary – Dark Woods (Official Music Video)
Published on Aug 9, 2019
Dark Woods is on Mean Mary’s upcoming album, Cold. Pre-order now at meanmary.com/cold
Special thank you to Deering Banjos. Mary is playing a Deering Goodtime Midnight Special in the video.
Video filmed and edited by Mary James and Jean James.
Cold ashes of an old camp fire
A scrap of cloth caught on a briar
Could these be us? Were we once here?
When did we both disappear?
I hear a voice among the trees
Maybe just the nighttime breeze
Maybe it’s the wild things roaming free
Wild like you, wild like me
Calling now to you and me
We must follow, can’t you see? – come with me
Forget the city and its false lights
They steal your dreams, they steal your nights
Leave your troubles, your worldly goods
And run with me, run with me
to the dark woods
Footprints in a hidden cave
Mementoes time chose to save
Initials carved in the frost
How did we ever get so lost?
Can’t you see? It’s all so clear
No one else has ever been here
Except for the wild things roaming free
Wild like you, wild like me
Calling now to you and me
And we must follow, can’t you see? – run with me
In the dark we have no fear
In the woods no one can hear
Except for the wild things roaming free
Wild like you, wild like me
Only the wild things, here to see
Wild like you, wild like me
(Lyrics and music: Mary James, Jean James)
Nice and Neat!
And it seems that Mary has developed a signature sound.
This is certainly an excellent thing.
Beth & Joe – I’d Rather Go Blind – Live in Amsterdam
Published on May 29, 2015
This video was taken from “Beth Hart & Joe Bonamassa – Live In Amsterdam” DVD and is owned by record label J&R Adventures, LLC, the operator of this channel.
The song “I’d Rather Be Blind” was originally written by Tina Turner Publisher: EMI Blackwood Music Inc. (BMI), EMI Unart Catalog Inc (BMI).
Hot on the heels of their GRAMMY nomination, force-of-nature blues-rock vocalist Beth Hart and guitar hero Joe Bonamassa will deliver Beth Hart & Joe Bonamassa — Live In Amsterdam (DVD/Blu-ray/CD) which is in stores since March 25, 2014. — the very first live experience from one of music’s most powerful female voices and one of the world’s greatest guitar players.
Against the backdrop of the beautiful, historic Koninklijk Theater Carré in Amsterdam, the performance wows with scorching soul covers from the duo’s 2011 debut album Don’t Explain and 2013 follow-up Seesaw, originally made famous by artists such as Aretha Franklin, Etta James, Billie Holiday, Tom Waits, Ray Charles, Donnie Hathaway, Lucinda Williams, Bill Withers, Delaney & Bonnie, Buddy Miles, Tina Turner, Slackwax, Melody Gardot, Nina Simone, and more.
It is beautiful to watch interactions such as this.
Reblogging from my friend Mike Campbell’s blog, EarhartTruth.wordpress.com, simply because I want more people to see it and learn the truth about what happened to her, a story that came to world attention in 1960 in the Californian press. It was quickly buried and there has been tenaciously relentless suppression even from the first days when it all started.
Smithsonian rejects my comment on Earhart story
By earharttruth on August 6, 2019
As if we need more evidence that Smithsonian magazine is among the vanguard in the U.S. government’s ongoing program of deceit in the Earhart disappearance, the following is submitted for your information. (Boldface and italics emphasis mine throughout.)
On Aug. 2 a reader sent me the link to the Smithsonian’s July 31, 2019 screed, “Why the Much-Publicized Mission to Find Amelia Earhart’s Plane Is Likely to Come Up Empty,” subheaded, “The explorer who discovered the ‘Titanic’ is searching for the lost aviator. A Smithsonian curator doesn’t think he’ll find it.”
Here we have the incompetent advising the accomplished and misguided. Dorothy Cochran, the Smithsonian’s Air and Space curator, has taken over from Tom Crouch as that institution’s selected mouthpiece about all things Earhart, but this is the same gibberish we heard from Crouch, and will continue to hear from the Smithsonian until Judgment Day. We know that the famed Bob Ballard, who found the Titanic, is out of his depth in the Earhart search, but we certainly don’t need an overpaid PR hack to tell us why.
The author of the current Smithsonian drivel, one Brigit Katz, writes that “Dorothy Cochran, a curator at the aeronautics department of the Air and Space Museum, doubts that the upcoming expedition to Nikumaroro, will turn up any tangible signs of Earhart’s plane. It’s highly unlikely, she says, that Earhart and Noonan ever ended up on the island.”
Cochran, who in a better world would be arrested for impersonating an Earhart expert, is right about that, but not for any legitimate or coherent reason. In her government-apologist role, Cochran remains stuck back in July 1937, connected at the hip to the Navy-Coast Guard verdict that the Earhart Electra “landed on the water within 120 miles of Howland Island” — volumes of evidence to the contrary be damned.
As a trusted, highly placed representative of the U.S. establishment, that’s her story and she’s sticking to it, just as her predecessor so stubbornly did. But does the reality-challenged Cochran really believe the garbage that she’s forced to disgorge by her masters, given, that is, that she’s ever read anything at all except her marching orders?
The “crashed-and-sank” canard, a natural assumption without a single trace of supporting evidence in 1937, was soon overwhelmed by evidence and events, including the 1944 discovery of the Earhart Electra in a hangar on Saipan, if not long before. “Crashed and sank” became so ludicrous and untenable by the mid-1980s that it forced the Powers That Be to commandeer the current Earhart lie, the only slightly less ridiculous Nikumaroro theory, dressed up as a “hypothesis,” by its TIGHAR proponents.
Unknown to most, the Nikumaroro fiasco is itself a third-hand idea initially conceived by famed inventor Fred Hooven, who presented his research paper, Amelia Earhart’s Last Flight at the Amelia Earhart Symposium at the Smithsonian Institute’s National Air and Space Museum in June 1982. Hooven called it the “McKean-Gardner Island landing theory,” but was later convinced by Fred Goerner that Amelia and Fred Noonan could not have possibly landed there. (See Amelia Earhart: The Truth at Last, pages 56, 303 and 304 for more.)
Note also that unlike the National Geographic story touting Ballard’s upcoming visit to Nikumaroro, which mentioned Saipan in passing, the Smithsonian story assiduously avoids anything that hints at the hated truth.
Though Jerry Adler’s January 2015 Smithsonian cover story,“Will the Search for Amelia Earhart Ever End?,” attacked and attempted to undermine Amelia Earhart: The Truth at Lastwith a flotilla of lies, at least Smithsonian editors referenced the book along with their litany of falsehoods. I responded appropriately, with a 5,000-word rebuttal, Smithsonian mag throws “Truth at Last” a bone: Says, “it’s possible . . . Campbell is on to something,” that I hope you will take the time to read, if you haven’t already.
The below was my second of three attempts to post my comment on Aug. 2, despite being convinced it had no chance for approval:
Why did you delete my below comment, as if I don’t know that you are among the leaders in the campaign to keep the masses ignorant about the truth in the Earhart disappearance. I think I’ll do a blog post about this. If you change your mind, you can delete this paragraph and post the original as sent. Fat chance.
The very idea of the “Earhart Mystery” in itself is one of the most enduring lies of the 20th, and now 21st century. Neither Nikumaroro nor Crashed and Sank have a shred of evidence to support them, while Earhart’s landing at Mili Atoll in the Marshalls and later death on Saipan are supported by mountains of evidence in the forms of eyewitness and witness accounts, letters, documents, and the words of three flag officers — Adm. Chester Nimitz and Generals Graves Erskine and Alexander A. Vandegrift — and much more, attesting to the presence and deaths of Earhart and Fred Noonan on Saipan.
For more, please see www.EarhartTruth.com
According to my Discus account profile, the above comment was in “Pending” status until about 7 p.m. Saturday night, Aug. 3, when it unceremoniously disappeared without explanation, as did the others. But on the afternoon of the next day, Aug. 4, the comments mysteriously showed again as “Pending.”
Monday, Aug. 5 has now passed and my comment has been pending for four days. Instead of rejecting my comments outright, the Smithsonian magazine editors have chosen to do nothing, a non-action that seems quite appropriate for these unsavory characters. While permanent pending status is the same as deletion or rejection, I do wonder how long they’ll wait before actually deleting it — like cowardly thieves hiding and waiting for the coast to clear. Or could this post shame them into finally approving it? Not if they have no shame, which has pretty well been established. Be sure I will keep you updated.
I’m not a lawyer, but it occurs to me that as a publication of the U.S. government, theSmithsonian magazine’s editors, by not allowing my comment to stand, are in direct violation of the First Amendment: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”
The comment of publisher Doug Westfall, whose Special Books, a vanity press that has historically provided a platform for authors with certifiably crackpot ideas about the Earhart case, was allowed to stand. This isn’t surprising, since Westfall’s statement is an insipid, meaningless aside, promoting another lunatic fringe theory that only serves to militate against anyone taking legitimate research about the Earhart matter seriously. The Smithsonian magazine is quite happy to publish comments such as Westfall’s, as it makes their own propaganda sound less absurd:
I whole-heartedly [sic] agree. “They are looking in the wrong place!” (Salah to Indiana in Raiders of the Lost Arc.) We published William Snavely’s book, Tracking Amelia Earhart — and he shows how she turned back and splash landed off Buka Island — see the map in this article. As well, he found a plane. Smithsonian Magazine published Snavely’s story in the January 2015 issue. Since then there have been two more dives.
So what? People go diving all the time. “He found a plane,” Westfall says, but he doesn’t tell you it wasn’t Earhart’s. Westfall has always been part of the problem, and neither he nor Snavely even bothered to put Tracking Amelia Earhart on Amazon.com,where 30 million books are available in the world’s largest book marketplace — such is their confidence in their unsellable fish wrapper.
Lies and Deceit: Thy names are Legion. Thy names are the American Media.
It really is unconscionable. The Smithsonian has managed to strip itself of any integtity it may have held in my heart. To publish horsepoops is simply not on.
If you’ve got an interest youd do well to listen to a great interview with Mike Campbell here. It should go ready to rock, but, if needed it’s item number 46. Highly recommended!
“Money to Burn” Samantha Fish Live 2/6/16 Sold Out Show at Callahan’s
Published on Feb 8, 2016
Samantha from night #2 of the back to back sold out shows at Callahan’s Music Hall in Auburn Hills – here with the scorching Money To Burn !
Samantha Fish, Go Go Ray and Chase McRoy
Select HD by clicking the settings to select resolution
From the Samantha Fish Power Trio ! Woo! YeeHaw !